“Ottoman”
The author Elif Batuman is a Turkish-American writer
from New Jersey. She graduated from Harvard College and a PhD from Stanford
University. She is known from her first published book “The Possessed:
Adventures with Russian Books and the People Who Read Them and she has been a staff writer at The New Yorker since 2010.
Elif Batuman spent three years as writer in residence at Koç University in Istanbul from 2010 to 2013. The article “Ottomania”
has been published on the 17th of February in 2014 in the famous
magazine The New Yorker. It is
modern written, well studied story about the Turkish soap opera “Magnificent
Century”, The Turkish trend “Ottomania” and Turkish
president Recep Tayyip Erdoğan. The article is a mixture history facts and
parts of the soap opera which reflects and gives a good picture of Turkish
national identity.
The author having the Turkish background, wrote clever
article of how TV show was used to review history and how TV show can affect todays
society. The soap opera “Magnificent
Century” has been a cause of discussion since the first time it aired in early
2011. The show starts from when Süleyman
starts planning the creation of “The Ottoman Empire” after his father´s death
and the show lets people to see how much time Süleyman spend in the harem
drinking and with low-cut gowns of the harem women. It also showed how Hürrem,
who Süleyman eventually married was able to manipulate him into killing his
best friend and his own son Mustafa, who he had with his concubine before
Hürrem. Unsurprisingly, those who adored the national hero Süleyman and the
great Ottoman Empire did not accept the “Magnificent Century” drama. Neither
did Erdoğan approve of the popular soap opera. He accused several media sources
of not telling the truth about Turkey “ This people isn´t the people you showed
the world”.
The online article “Ottoman” has been published not
that long ago in 2014. In my opinion
things have not changed from when it was published in The New Yorker. A large number of
people from Turkey and all around the world are afraid of losing their lives
and so many of them have to leave the countrey to look for better life
elsewhere or at least try to. A good example was when Elif Batuman talked with
the directors of “Magnificent Centry”, Yağmur and Durul Taylan and they told about being awarded and
appreciated around the world, as said in the text “but in your own country
you´re living almost in fear of being put in prison” of creating
open-minded historical TV drama.
I think that the article is written for specialist
audience who are interested in Turkish history and cultural issues. The text
assumes a level of knowledge about the subject. The article gives good
understanding of where Turkey stands today.
Questions: Can
Turkey ever have a leader who would be more broadminded? How did the actresses
feel about acting in the much spoken sope opera?
(Photo
by Fashion Brand Les Benjamins, who aims ”to bring to the world a true visin of
modern-day Turkey” with modern designs. Founder of the brand takes inspiration
from a political reform movement that existed during the Ottoman Empire.)
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