My last developing
practice project concentrated on understanding how the different pleating
methods work. In that project my goal was to discover the new structural forms
of the pleats by manipulating the fabric.
My aspiration for
the project was to create pleating technique to create a new silhouette through
reconstructing and modifying the structure of the body influenced by
contemporary architecture. I took my
inspiration from architecture to experiment with shape and texture and taken
them to develop different hand pleating techniques, creating pleating samples.
My intent outcome was to create a pleating technique and use that in my final
designed garment.
At this point of new project I don´t know
yet where my research or design process is going so it made sense for me to
look the relationships between architecture and fashion design.
I have chosen text by Jörg Seifert “ Woven
Architecture and Constructed Clothes. On Blurring of Boundaries Between The
Second and Third Skin” for my research. The author splits the intersections
between architecture and fashion design to five different sections.
1.
The metaphorical level
2.
2. The level of the design
process
3.
The material level of the
designed objects
4.
The material level of the
objects
5.
The functional level of the objects (Seifert,
2009, p.209)
The author in every section subject
explains the subject through architecture and fashion aspect and brings up
things which are not that clearly
taken from the other design practice. The author tells in the text “ the curved
façade of the Selfridges store by Future Systems, completed in Birmingham in
2003, is covered in its entirety in sequins – a design element which has long
been common practice in fashion design” (Seifert,
2009, p.212)
Work from my own developing practice
project. Pleating samples
inspired from architecture to create shape and texture.
Architecture Image:
King Fahad National Library, Gerber Architekten Accessed at: http://www.detail-online.com/fileadmin/_migrated/pics/DP2014_Gerber_03.jpg (Downloaded: 22 November 2016)
Architecture Image:
Vents, Heatherwick Studio Accessed at: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgH_uIFyPrEnqHceKuWwDPhOduYBSDBFVVhqD7E87TBoZRJn64IiVRhtzJZcBcr2eraA9lCEXJ8x95RSvWfsalXiRMRE3-i4f7cwlBURVwk537u4h7d5gg3gWMRV1uiosGf0CaQYRneVJwJ/s1600/Heatherwick2.jpg (Downloaded: 22 November 2016)
Architecture Image:
Brick Pattern, Marc Koehler Architects
Accessed at: https://s-media-cache-ak0.pinimg.com/736x/1b/97/9f/1b979f976b3fd53fc56be1ad3b5f0d2e.jpg (Downloaded: 22 November 2016)
Reference:
Buxbaum, G (2009) Sashion in context. New York: Springer Verlag GmbH
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